TagNicholas St. John
1 story
IndieMoviesReviews
Kathleen (Lili Taylor), a philosophy student livin’ in the concrete jungle of 1990’s Manhattan, is dragged into an alleyway one night by Casanova (Annabella Sciorra) and given a little love nibble…you know, the kind usually reserved for rabid wolves and the like. Of course the bite makes her sick to her shit, and it doesn’t take much to assume she’s turning into one of Dracula’s daughters (aversion to sunlight, thirst for human blood, et.al.). As Kathleen falls further into her new role as creature of the night and begins injecting blood from her victims directly into her veins before going the more toothy avenue. Will she be able to find herself as her being becomes drenched in blood? Filmed in stark black and white, which adds an air of cold grittiness (especially when photographs of human atrocity are inserted) and at times beautiful chiaroscuro (as echoed by the classical paintings on display), The Addiction is a visually arresting film to
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More from Nicholas St. John
IndieMoviesReviews
Kathleen (Lili Taylor), a philosophy student livin’ in the concrete jungle of 1990’s Manhattan, is dragged into an alleyway one night by Casanova (Annabella Sciorra) and given a little love nibble…you know, the kind usually reserved for rabid wolves and the like. Of course the bite makes her sick to her shit, and it doesn’t take much to assume she’s turning into one of Dracula’s daughters (aversion to sunlight, thirst for human blood, et.al.). As Kathleen falls further into her new role as creature of the night and begins injecting blood from her victims directly into her veins before going the more toothy avenue. Will she be able to find herself as her being becomes drenched in blood? Filmed in stark black and white, which adds an air of cold grittiness (especially when photographs of human atrocity are inserted) and at times beautiful chiaroscuro (as echoed by the classical paintings on display), The Addiction is a visually arresting film to
Continue reading →
