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Luigi Bazzoni

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Horror Fuel

Blu-ray Review: The Fifth Cord (1971)

After a New Year’s Eve murder attempt goes tits-up, booze-soaked journalistic fuck-up par excellence Andrea Bild (Franco Nero) is called upon to report on the case. As fate, and the screenplay, would have it, the killer strikes again, this time sealing the deal. Before long the body count rises as does suspicion against our boy Andrea; which makes him rather keen on solving the case! Much closer to the giallo genre…in fact with it’s black gloved killer and jaw-dropping style it definitely is one, then the previous Luigi Bazzoni flick we examined in this creepy column (The Possessed for those keeping score at home…the review for which can be found right here!), The Fifth Cord is a pretty solid fright flick. Though filmed in color, the film’s limited palette offers the same chiaroscuro visuals that made the aforementioned The Possessed so gorgeous, and Nero turns in yet another world-weary and brilliant performance. Adding to the surreal aesthetics are a pre-occupation

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Jan 13, 2019
Horror Fuel

Blu-ray Review: The Possessed (1965)

Bernard (Peter Baldwin), a sad sack novelist, decides to use that classic cure-all, namely horniness, and sets off to rekindle a relationship with his ex-lover Tilda (Virna Lisi); who works as a maid at a remote hotel located next to a lake. Everything seems hunky-goddammned-dory with the hotel’s owner, Enrico (Salvo Randone) and his daughter Irma (Valentina Cortese)…but it seems Tilda has pulled a David Copperfield and vanished. Having fuck-all to do, Bernard begins investigating the disappearance and ends up spiraling farther down a rabbit hole of perversion, insanity, and murder! The Possessed, comprised of it’s heavily art house influenced style and dark and deadly themes definitely stands as a strong and stylish fore-runner of the beloved murder heavy giallo genre. Directors Luigi Bazzoni, Franco Rossellini present the material with gobs of style and chiaroscuro visuals, but there are definitely moments where the concentration on aesthetics definitely hamper the clarity of the film’s storytelling (a problem also present in a

Continue reading →
Jan 13, 2019

More from Luigi Bazzoni

Horror Fuel

Blu-ray Review: The Fifth Cord (1971)

After a New Year’s Eve murder attempt goes tits-up, booze-soaked journalistic fuck-up par excellence Andrea Bild (Franco Nero) is called upon to report on the case. As fate, and the screenplay, would have it, the killer strikes again, this time sealing the deal. Before long the body count rises as does suspicion against our boy Andrea; which makes him rather keen on solving the case! Much closer to the giallo genre…in fact with it’s black gloved killer and jaw-dropping style it definitely is one, then the previous Luigi Bazzoni flick we examined in this creepy column (The Possessed for those keeping score at home…the review for which can be found right here!), The Fifth Cord is a pretty solid fright flick. Though filmed in color, the film’s limited palette offers the same chiaroscuro visuals that made the aforementioned The Possessed so gorgeous, and Nero turns in yet another world-weary and brilliant performance. Adding to the surreal aesthetics are a pre-occupation

Continue reading →
Jan 13, 2019
Horror Fuel

Blu-ray Review: The Possessed (1965)

Bernard (Peter Baldwin), a sad sack novelist, decides to use that classic cure-all, namely horniness, and sets off to rekindle a relationship with his ex-lover Tilda (Virna Lisi); who works as a maid at a remote hotel located next to a lake. Everything seems hunky-goddammned-dory with the hotel’s owner, Enrico (Salvo Randone) and his daughter Irma (Valentina Cortese)…but it seems Tilda has pulled a David Copperfield and vanished. Having fuck-all to do, Bernard begins investigating the disappearance and ends up spiraling farther down a rabbit hole of perversion, insanity, and murder! The Possessed, comprised of it’s heavily art house influenced style and dark and deadly themes definitely stands as a strong and stylish fore-runner of the beloved murder heavy giallo genre. Directors Luigi Bazzoni, Franco Rossellini present the material with gobs of style and chiaroscuro visuals, but there are definitely moments where the concentration on aesthetics definitely hamper the clarity of the film’s storytelling (a problem also present in a

Continue reading →
Jan 13, 2019