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Hail Satan?

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Horror Fuel

Final Girls Berlin Film Festival Preview: Killers, Thrillers, and Chillers of All Stripes Are on Tap

The fifth edition of Final Girls Berlin Film Festival takes place February 6–9, 2020 at City Kino Wedding as the fest continues to raise the bar by showcasing horror movies written, directed, and/or produced by women and nonbinary filmmakers. Festival codirector Eli Lewy calls this year’s festival edition the “most expansive and international yet, presenting a wide array of films by visionary filmmakers that represent the diversity and originality that can be found in the current horror landscape.” The exciting program features eight curated short blocks and nine feature films, a horror-inspired self-defense workshop, an exhibition, a festival party with multimedia drag performances, and specialist talks on horror martyrs, made-for-TV horror, “female monsters,” and “bad mothers” in Mexican horror cinema. “Horror is a very elastic term,” said fellow co-director Sara Neidorf, “and we’re excited to discover films that make us question and expand our conceptions of what horror can be, both in ways that are distant from and uncannily near

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Jan 14, 2020
Horror Fuel

Movie Review: Hail Satan? (2019)

Beginning with a political rally in which The Satanic Temple endorses a candidate for office that supports prayer in schools (because if you allow for Jesus in school it will open the way for Satan as well); Director Penny Lane’s documentary Hail Satan? (and that “?” will come into play in this revoltin’ review in a tick) is off to the races! What follows that is an examination of the origins The Satanic Temple (striking an even balance between the religions theatricality and honest beliefs) as well as their plans for public acceptance, and their absolute insatiable lust to fuck with people that desperately need to be fucked with (i.e. religious groups that seem to adore abusing those different from themselves). Also included is a look at the o.g. Devil lovers; Anton Lavey’s Church of Satan and it’s carnival aesthetic and how it lead to the more political minded Temple (which does still contain the more showy trappings of the

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Apr 20, 2019

More from Hail Satan?

Horror Fuel

Final Girls Berlin Film Festival Preview: Killers, Thrillers, and Chillers of All Stripes Are on Tap

The fifth edition of Final Girls Berlin Film Festival takes place February 6–9, 2020 at City Kino Wedding as the fest continues to raise the bar by showcasing horror movies written, directed, and/or produced by women and nonbinary filmmakers. Festival codirector Eli Lewy calls this year’s festival edition the “most expansive and international yet, presenting a wide array of films by visionary filmmakers that represent the diversity and originality that can be found in the current horror landscape.” The exciting program features eight curated short blocks and nine feature films, a horror-inspired self-defense workshop, an exhibition, a festival party with multimedia drag performances, and specialist talks on horror martyrs, made-for-TV horror, “female monsters,” and “bad mothers” in Mexican horror cinema. “Horror is a very elastic term,” said fellow co-director Sara Neidorf, “and we’re excited to discover films that make us question and expand our conceptions of what horror can be, both in ways that are distant from and uncannily near

Continue reading →
Jan 14, 2020
Horror Fuel

Movie Review: Hail Satan? (2019)

Beginning with a political rally in which The Satanic Temple endorses a candidate for office that supports prayer in schools (because if you allow for Jesus in school it will open the way for Satan as well); Director Penny Lane’s documentary Hail Satan? (and that “?” will come into play in this revoltin’ review in a tick) is off to the races! What follows that is an examination of the origins The Satanic Temple (striking an even balance between the religions theatricality and honest beliefs) as well as their plans for public acceptance, and their absolute insatiable lust to fuck with people that desperately need to be fucked with (i.e. religious groups that seem to adore abusing those different from themselves). Also included is a look at the o.g. Devil lovers; Anton Lavey’s Church of Satan and it’s carnival aesthetic and how it lead to the more political minded Temple (which does still contain the more showy trappings of the

Continue reading →
Apr 20, 2019