Horror Fuel
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80s

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Horror Fuel

Japanese Horror ‘Evil Dead Trap’ Being Released On 4K And Blu-Ray For The First Time

1988’s Japanese grindhouse horror film Evil Dead Trap is being released on 4K and Blu-ray for the first time this August by Unearthed Films. Directed by and Toshihara Ikeda, and featuring special effects from Godzilla’s Shinichi Wakasa, Evil Dead Trap follows “A TV station employee takes a camera crew out to an abandoned factory to investigate a purported snuff film that was made there, only to end up running for her life.” Miyuki Ono, Aya Katsuragi, and Hitomi Kobayashi star in this gruesome, blood-soaked horror film that thrilled critics at the time of its original release. Get your copy on August 24, 2021, or pre-order your copy now from Unearthed Films. BONUS MATERIALS: Audio Commentary with Director Toshiharu Ikeda and SPFX Manager Shinichi Wakasa Audio Commentary by filmmaker Kurando Mitsutake (KARATE KILL, GUN WOMAN) Audio Commentary with James Mudge of Eastern Kicks Trappings of the Dead – Reflecting on a Japanese Cult Classic Storyboards Behind the Scenes Stills Promotional Artwork

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Horror Fuel

Blu-ray Review: Edge of the Axe (1988)

Bizarre-ass motorcycle ridin’ computer expert Gerald (Barton Faulks), and his equally off-putting pal Richard Simmons… wait… what the fuck now? Anyway, this Richard Simmons (Page Mosely), is an exterminator by trade… though philanderer is his main occupation, and he spends his time with Ger-bear trying to score some trim, drinking beer, playing video games, and finding corpses left in the wake of a masked lunatic on a kill spree/pig bothering sesh. Soon ol’ Jerry hooks up with a comely video game lovin’ barmaid named Lillian (Christina Marie Lane)… but our heroine has a past; as a little squirt, she pushed her cuz off a swing set and fucked him up but good, and my dude just got sprung from the nuthouse! Before long, the chase is on to figure out the killer’s identity and end his reign of terror… and no one is quite what they seem! Edge of the Axe is a surreal, pseudo-giallo that really delivers an off-kilter

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Jan 29, 2020
Horror Fuel

Road to Death House Part 4: Open Letter

Friday. November 11th. Death House is officially done. Like the 2016 election, it will soon be in the hands of the people to make their decision. Hear my personal views on this film at 22:30 here on Postmortem Radio just published Nov. 8, 2016: HERE https://www.horrorphilia.com/postmortem-radio-episode-016-inside-death-house-wdirector-harrison-smith/ It’s been a long road. Gunnar Hansen, who created the project, is not here to see it emerge from the post production studio. We wrapped principal photography May 5th. Six months later we have a finished film. it is true…making a movie is akin to a minor miracle. Making one with the largest collection of horror names in a single picture, to date…that’s something else. This is a personal entry from me on this film. From its director and its writer. It’s not a pitch. Those who want to see it will see it. Those who don’t will likely see it anyway. Many will love it. Some won’t. It’s the way it goes anytime

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Nov 8, 2016
Horror Fuel

You’ll Know His Name

You’ll Know My Name Drama 2010 Not Rated Directed, Written & Produced by Joe Raffa Starring: Joe Raffa, David J. Bonner, Alexander Mandell, Mianna Saxton, Chuck Connors, Tommy Sztubinksi, Brian Gallagher, Davy Raphaley, Nicole Cinaglia Website: YKMN Cynema is not about reviews. While a critical look is often afforded to specific films, this is not about whether a film is “good” or “bad.” It’s about how they are MADE. My previous entries looked at wide ranges from Jurassic World to Halloween III.This is a look at a young filmmaker who has taken risks and made a film that is outside the realm of what is popular or what studios are developing. Joe Raffa is anti-Cynema because he does what few others are doing: he takes real risks. Thanks to the digital revolution, anyone with a camcorder and computer thinks they’re a filmmaker. Shooting your video and putting it up in ten minute bites online does not make you a professional.

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Jan 4, 2016
Horror Fuel

Cynema: Fright Night or…Why Remake When You Can Retitle?

A Valentine To Old School Horror Remaking a film falls under the old adage: “Just because you can do something doesn’t mean you should.” Netflix reviews or more accurately, article comments are dotted with such phrases like: “the film is old” or “it’s dated.” Better yet, “it’s foreign.” All three signify a concern in American pop culture: a fixation on the superficial and a refusal to give anything deemed “old” a chance, largely by a generation that prides itself on ignorance and is unappreciative for the previous work done by others that affords it the indifference it treats anything deemed unworthy of its attention. Horror is a breeding ground for remakes, but the focus of this article will be the 1985 horror hit “Fright Night.” The recent 3D remake of yet another 80’s horror film underscores not just the needless exercise in remaking films, but shows that audiences have become truly cynical in the product they pay for. There is

Continue reading →
Aug 19, 2015

More from 80s

Horror Fuel

Japanese Horror ‘Evil Dead Trap’ Being Released On 4K And Blu-Ray For The First Time

1988’s Japanese grindhouse horror film Evil Dead Trap is being released on 4K and Blu-ray for the first time this August by Unearthed Films. Directed by and Toshihara Ikeda, and featuring special effects from Godzilla’s Shinichi Wakasa, Evil Dead Trap follows “A TV station employee takes a camera crew out to an abandoned factory to investigate a purported snuff film that was made there, only to end up running for her life.” Miyuki Ono, Aya Katsuragi, and Hitomi Kobayashi star in this gruesome, blood-soaked horror film that thrilled critics at the time of its original release. Get your copy on August 24, 2021, or pre-order your copy now from Unearthed Films. BONUS MATERIALS: Audio Commentary with Director Toshiharu Ikeda and SPFX Manager Shinichi Wakasa Audio Commentary by filmmaker Kurando Mitsutake (KARATE KILL, GUN WOMAN) Audio Commentary with James Mudge of Eastern Kicks Trappings of the Dead – Reflecting on a Japanese Cult Classic Storyboards Behind the Scenes Stills Promotional Artwork

Continue reading →
Horror Fuel

Blu-ray Review: Edge of the Axe (1988)

Bizarre-ass motorcycle ridin’ computer expert Gerald (Barton Faulks), and his equally off-putting pal Richard Simmons… wait… what the fuck now? Anyway, this Richard Simmons (Page Mosely), is an exterminator by trade… though philanderer is his main occupation, and he spends his time with Ger-bear trying to score some trim, drinking beer, playing video games, and finding corpses left in the wake of a masked lunatic on a kill spree/pig bothering sesh. Soon ol’ Jerry hooks up with a comely video game lovin’ barmaid named Lillian (Christina Marie Lane)… but our heroine has a past; as a little squirt, she pushed her cuz off a swing set and fucked him up but good, and my dude just got sprung from the nuthouse! Before long, the chase is on to figure out the killer’s identity and end his reign of terror… and no one is quite what they seem! Edge of the Axe is a surreal, pseudo-giallo that really delivers an off-kilter

Continue reading →
Jan 29, 2020
Horror Fuel

Road to Death House Part 4: Open Letter

Friday. November 11th. Death House is officially done. Like the 2016 election, it will soon be in the hands of the people to make their decision. Hear my personal views on this film at 22:30 here on Postmortem Radio just published Nov. 8, 2016: HERE https://www.horrorphilia.com/postmortem-radio-episode-016-inside-death-house-wdirector-harrison-smith/ It’s been a long road. Gunnar Hansen, who created the project, is not here to see it emerge from the post production studio. We wrapped principal photography May 5th. Six months later we have a finished film. it is true…making a movie is akin to a minor miracle. Making one with the largest collection of horror names in a single picture, to date…that’s something else. This is a personal entry from me on this film. From its director and its writer. It’s not a pitch. Those who want to see it will see it. Those who don’t will likely see it anyway. Many will love it. Some won’t. It’s the way it goes anytime

Continue reading →
Nov 8, 2016
Horror Fuel

You’ll Know His Name

You’ll Know My Name Drama 2010 Not Rated Directed, Written & Produced by Joe Raffa Starring: Joe Raffa, David J. Bonner, Alexander Mandell, Mianna Saxton, Chuck Connors, Tommy Sztubinksi, Brian Gallagher, Davy Raphaley, Nicole Cinaglia Website: YKMN Cynema is not about reviews. While a critical look is often afforded to specific films, this is not about whether a film is “good” or “bad.” It’s about how they are MADE. My previous entries looked at wide ranges from Jurassic World to Halloween III.This is a look at a young filmmaker who has taken risks and made a film that is outside the realm of what is popular or what studios are developing. Joe Raffa is anti-Cynema because he does what few others are doing: he takes real risks. Thanks to the digital revolution, anyone with a camcorder and computer thinks they’re a filmmaker. Shooting your video and putting it up in ten minute bites online does not make you a professional.

Continue reading →
Jan 4, 2016
Horror Fuel

Cynema: Fright Night or…Why Remake When You Can Retitle?

A Valentine To Old School Horror Remaking a film falls under the old adage: “Just because you can do something doesn’t mean you should.” Netflix reviews or more accurately, article comments are dotted with such phrases like: “the film is old” or “it’s dated.” Better yet, “it’s foreign.” All three signify a concern in American pop culture: a fixation on the superficial and a refusal to give anything deemed “old” a chance, largely by a generation that prides itself on ignorance and is unappreciative for the previous work done by others that affords it the indifference it treats anything deemed unworthy of its attention. Horror is a breeding ground for remakes, but the focus of this article will be the 1985 horror hit “Fright Night.” The recent 3D remake of yet another 80’s horror film underscores not just the needless exercise in remaking films, but shows that audiences have become truly cynical in the product they pay for. There is

Continue reading →
Aug 19, 2015