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The Father's Shadow

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Horror Fuel

Final Girls Berlin Film Festival Preview: Killers, Thrillers, and Chillers of All Stripes Are on Tap

The fifth edition of Final Girls Berlin Film Festival takes place February 6–9, 2020 at City Kino Wedding as the fest continues to raise the bar by showcasing horror movies written, directed, and/or produced by women and nonbinary filmmakers. Festival codirector Eli Lewy calls this year’s festival edition the “most expansive and international yet, presenting a wide array of films by visionary filmmakers that represent the diversity and originality that can be found in the current horror landscape.” The exciting program features eight curated short blocks and nine feature films, a horror-inspired self-defense workshop, an exhibition, a festival party with multimedia drag performances, and specialist talks on horror martyrs, made-for-TV horror, “female monsters,” and “bad mothers” in Mexican horror cinema. “Horror is a very elastic term,” said fellow co-director Sara Neidorf, “and we’re excited to discover films that make us question and expand our conceptions of what horror can be, both in ways that are distant from and uncannily near

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Jan 14, 2020

More from The Father’s Shadow

Horror Fuel

Final Girls Berlin Film Festival Preview: Killers, Thrillers, and Chillers of All Stripes Are on Tap

The fifth edition of Final Girls Berlin Film Festival takes place February 6–9, 2020 at City Kino Wedding as the fest continues to raise the bar by showcasing horror movies written, directed, and/or produced by women and nonbinary filmmakers. Festival codirector Eli Lewy calls this year’s festival edition the “most expansive and international yet, presenting a wide array of films by visionary filmmakers that represent the diversity and originality that can be found in the current horror landscape.” The exciting program features eight curated short blocks and nine feature films, a horror-inspired self-defense workshop, an exhibition, a festival party with multimedia drag performances, and specialist talks on horror martyrs, made-for-TV horror, “female monsters,” and “bad mothers” in Mexican horror cinema. “Horror is a very elastic term,” said fellow co-director Sara Neidorf, “and we’re excited to discover films that make us question and expand our conceptions of what horror can be, both in ways that are distant from and uncannily near

Continue reading →
Jan 14, 2020