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Shane Coffey

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A First Look At The Occult Thriller ‘The Last Thing Mary Saw’

Ahead of its premiere at the Fantasia Film Festival this August, we’ve got the first look at writer-director Edoardo Vitaletti‘s feature debut, the occult thriller The Last Thing Mary Saw, set in an isolated farmhouse during the winter of 1843, the film centers on a young woman who is under investigation following the mysterious death of her family’s matriarch. Soon it becomes clear that dark forces are at play. Stefanie Scott (Insidious: Chapter 3) stars alongside Rory Culkin (Scream 4), Isabelle Fuhrman (Orphan), Shane Coffey (“Pretty Little Liars”), Carolyn McCormick (“Law & Order”). and Judith Roberts (Dead Silence). “Southold, New York, 1843: Young Mary (Stefanie Scott), blood trickling from behind the blindfold tied around her eyes, is interrogated about the events surrounding her grandmother’s death. As the story jumps back in time, we witness Mary, raised in a repressively religious household, finding fleeting happiness in the arms of Eleanor (Isabelle Fuhrman), the home’s maid. Her family, who believe they are

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More from Shane Coffey

Horror Fuel

A First Look At The Occult Thriller ‘The Last Thing Mary Saw’

Ahead of its premiere at the Fantasia Film Festival this August, we’ve got the first look at writer-director Edoardo Vitaletti‘s feature debut, the occult thriller The Last Thing Mary Saw, set in an isolated farmhouse during the winter of 1843, the film centers on a young woman who is under investigation following the mysterious death of her family’s matriarch. Soon it becomes clear that dark forces are at play. Stefanie Scott (Insidious: Chapter 3) stars alongside Rory Culkin (Scream 4), Isabelle Fuhrman (Orphan), Shane Coffey (“Pretty Little Liars”), Carolyn McCormick (“Law & Order”). and Judith Roberts (Dead Silence). “Southold, New York, 1843: Young Mary (Stefanie Scott), blood trickling from behind the blindfold tied around her eyes, is interrogated about the events surrounding her grandmother’s death. As the story jumps back in time, we witness Mary, raised in a repressively religious household, finding fleeting happiness in the arms of Eleanor (Isabelle Fuhrman), the home’s maid. Her family, who believe they are

Continue reading →