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Saloum

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Horror Fuel

Movie Review (Toronto International Film Festival): Saloum

Director Jean Luc Herbulot’s Senegal/Congo coproduction Saloum is an insane mind-blower. This genre mash-up is as fun as it is suspenseful and poignant. Bangui’s Hyenas is a trio of mercenaries — Chaka (Yann Gael), Rafa (Roger Sallah) and Minuit (Mentor Ba) — on a mission to bring a cartel drug lord to Dakar, Senegal, with a load of gold on hand. When their plane encounters a problem, they are forced to land on the Saloum Delta. The four men seek shelter at a lodging camp run by a man named Omar (Bruno Henry), who Chaka claims to know, though Omar doesn’t recognize him. Minuit senses that Chaka is keeping a dangerous secret from the rest of the trio, and a mute woman guest named Awa (Evelyne Ily Juhen) complicates matters when she threatens to expose the men, who are going under aliases, to local police captain Souleymane (Ndiaga Mbow) unless they let her escape with them. Herbulot, who cowrote the

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Sep 17, 2021
Horror Fuel

Toronto International Film Festival 2021: Our Half-Dozen “Have to See!” Horror Films

Shocks and shudders abound during Toronto International Film Festival’s (TIFF) hybrid event September 9–18, 2021, with in-person cinema screenings in Toronto and digital screenings available to viewers across Canada. Among the incredible international line-up of horror, science fiction, thriller, and other genre-cinema styles are the following six stand-outs, which Horror Fuel highly recommends. My comments follow in italics after descriptions adapted from TIFF’s official program and website. Kicking Blood “Blaine Thurier’s sultry, perma-stoned, ultra-modern spin on the vampire genre evokes cult-horror figures like George A. Romero and Stuart Gordon.” Fusing the grittiness of George Romero’s Martin with the sly theatricality of Stuart Gordon’s early films (Re-Animator, From Beyond), Blaine Thurier’s Kicking Blood reimagines vampire mythology by transplanting it to the bohemian world Thurier has satirized since he began making films. Instead of the usual desiccated, tormented aristocrats with impossibly innocent victims, Thurier’s undead are hipster scavengers and swingers, their victims luckless hangers-on and drunks. Vampire Anna (Alanna Bale) is disappointed

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Sep 9, 2021

More from Saloum

Horror Fuel

Movie Review (Toronto International Film Festival): Saloum

Director Jean Luc Herbulot’s Senegal/Congo coproduction Saloum is an insane mind-blower. This genre mash-up is as fun as it is suspenseful and poignant. Bangui’s Hyenas is a trio of mercenaries — Chaka (Yann Gael), Rafa (Roger Sallah) and Minuit (Mentor Ba) — on a mission to bring a cartel drug lord to Dakar, Senegal, with a load of gold on hand. When their plane encounters a problem, they are forced to land on the Saloum Delta. The four men seek shelter at a lodging camp run by a man named Omar (Bruno Henry), who Chaka claims to know, though Omar doesn’t recognize him. Minuit senses that Chaka is keeping a dangerous secret from the rest of the trio, and a mute woman guest named Awa (Evelyne Ily Juhen) complicates matters when she threatens to expose the men, who are going under aliases, to local police captain Souleymane (Ndiaga Mbow) unless they let her escape with them. Herbulot, who cowrote the

Continue reading →
Sep 17, 2021
Horror Fuel

Toronto International Film Festival 2021: Our Half-Dozen “Have to See!” Horror Films

Shocks and shudders abound during Toronto International Film Festival’s (TIFF) hybrid event September 9–18, 2021, with in-person cinema screenings in Toronto and digital screenings available to viewers across Canada. Among the incredible international line-up of horror, science fiction, thriller, and other genre-cinema styles are the following six stand-outs, which Horror Fuel highly recommends. My comments follow in italics after descriptions adapted from TIFF’s official program and website. Kicking Blood “Blaine Thurier’s sultry, perma-stoned, ultra-modern spin on the vampire genre evokes cult-horror figures like George A. Romero and Stuart Gordon.” Fusing the grittiness of George Romero’s Martin with the sly theatricality of Stuart Gordon’s early films (Re-Animator, From Beyond), Blaine Thurier’s Kicking Blood reimagines vampire mythology by transplanting it to the bohemian world Thurier has satirized since he began making films. Instead of the usual desiccated, tormented aristocrats with impossibly innocent victims, Thurier’s undead are hipster scavengers and swingers, their victims luckless hangers-on and drunks. Vampire Anna (Alanna Bale) is disappointed

Continue reading →
Sep 9, 2021