TagMaximillano Contenti
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Film FestivalsReviews
Director Maximillano Contenti’s Uruguayan shocker The Last Matinee (AKA Red Screening and its original title of Al morir la matinée) goes all in on the thrills and gore in its telling of a murderer going on a bloody rampage inside a cinema. The film is a hybrid of slasher movie motifs and giallo film aesthetics, with an obvious love for cinemas — from the ticket and projection booths to the seats to areas you never knew existed — added for good measure. Ana (Luciana Grasso) is a university student whose father works as a projectionist in a Montevideo cinema in the early 1990s. She insists one rainy night that he go home and rest rather than working a double shift, as she has watched him enough over the years to know how to work the equipment. Planning to study while a horror movie unspools for the audience — which includes a couple on an awkward date, three drunk minors and
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More from Maximillano Contenti
Film FestivalsReviews
Director Maximillano Contenti’s Uruguayan shocker The Last Matinee (AKA Red Screening and its original title of Al morir la matinée) goes all in on the thrills and gore in its telling of a murderer going on a bloody rampage inside a cinema. The film is a hybrid of slasher movie motifs and giallo film aesthetics, with an obvious love for cinemas — from the ticket and projection booths to the seats to areas you never knew existed — added for good measure. Ana (Luciana Grasso) is a university student whose father works as a projectionist in a Montevideo cinema in the early 1990s. She insists one rainy night that he go home and rest rather than working a double shift, as she has watched him enough over the years to know how to work the equipment. Planning to study while a horror movie unspools for the audience — which includes a couple on an awkward date, three drunk minors and
Continue reading →
