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horror composer

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Horror Fuel

Composer/Filmmaker Rocky Gray Discusses Upcoming Project ‘10/31’ And More

Though perhaps known on a wider scale more for his many contributions to metal music (Gray has been a member of Gothic metal acts Evanescence and We Are the Fallen, influential metalcore band Living Sacrifice, and many, many others), among horror fans, Rocky Gray is known for his retro-synth score in the indie-horror hit, The Barn. Well, it turns out that film was no fluke, as Gray sits down with Horror Fuel to discuss his many current horror projects, from music composition and his influences, to sitting in the director’s chair. Horror Fuel: The Barn is one of my favorite things to come into existence in quite some time. It captures that 1980s slasher/creature feature/endearing cheese vibe perfectly. How was it working on that slice of retro horror heaven? Rocky Gray: You said it; it really was horror heaven. For my first time scoring a full horror feature, it was really fun to work on. HF: What were your influences

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Jul 17, 2017
Horror Fuel

An Interview With Film And TV Composer And Musician Charlie Clouser

One of the most important parts of a film is its score and soundtrack. Even if you don’t realize it, the music is there to guide you through the movie and influence your mood, the setting, and the tone of the movie. Recently, I had the opportunity to interview a fantastic composer, musician, and Grammy nominee Charlie Clouser who has composed a long list of scores for television, film, and games including for the ‘Saw’ franchise, ‘Wayward Pines’, and the iconic opening score of ‘American Horror Story’. You may recognize Clouser for his work as a musician. He was one of the founding members of Nine Inch Nails. Clouser still works in the music industry today, creating remixes for musicians like Marilyn Manson and Rob Zombie’s band White Zombie. Horror Fuel: “You have been involved with various roles in the music industry for a while. How old were you when you began playing music and what was your first instrument?”

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Horror Fuel

Composer/Filmmaker Rocky Gray Discusses Upcoming Project ‘10/31’ And More

Though perhaps known on a wider scale more for his many contributions to metal music (Gray has been a member of Gothic metal acts Evanescence and We Are the Fallen, influential metalcore band Living Sacrifice, and many, many others), among horror fans, Rocky Gray is known for his retro-synth score in the indie-horror hit, The Barn. Well, it turns out that film was no fluke, as Gray sits down with Horror Fuel to discuss his many current horror projects, from music composition and his influences, to sitting in the director’s chair. Horror Fuel: The Barn is one of my favorite things to come into existence in quite some time. It captures that 1980s slasher/creature feature/endearing cheese vibe perfectly. How was it working on that slice of retro horror heaven? Rocky Gray: You said it; it really was horror heaven. For my first time scoring a full horror feature, it was really fun to work on. HF: What were your influences

Continue reading →
Jul 17, 2017
Horror Fuel

An Interview With Film And TV Composer And Musician Charlie Clouser

One of the most important parts of a film is its score and soundtrack. Even if you don’t realize it, the music is there to guide you through the movie and influence your mood, the setting, and the tone of the movie. Recently, I had the opportunity to interview a fantastic composer, musician, and Grammy nominee Charlie Clouser who has composed a long list of scores for television, film, and games including for the ‘Saw’ franchise, ‘Wayward Pines’, and the iconic opening score of ‘American Horror Story’. You may recognize Clouser for his work as a musician. He was one of the founding members of Nine Inch Nails. Clouser still works in the music industry today, creating remixes for musicians like Marilyn Manson and Rob Zombie’s band White Zombie. Horror Fuel: “You have been involved with various roles in the music industry for a while. How old were you when you began playing music and what was your first instrument?”

Continue reading →