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Spoiler-Free Reviews: “Indera” and “Help, I’m Alien Pregnant” (Bucheon International Fantastic Film Festival)

Indera (Malaysia, 2024) Although Malaysian horror Indera is, according to the official film description, “set against the backdrop of the violent Memali Incident in 1985,” director Ming Jin Woo’s feature should work fine for viewers with little-to-no prior knowledge of the event. Handyman Joe (Shaheizy Sam) does his best to raise his young daughter Sofia (Samara Kenzo) after her mother (Ashira Shafinaz) — who was also his wife — died in a tragic accident. Penniless and evicted, Joe takes on the position of caretaker for an older Javanese woman (Ruminah Sidek) who is raising three young orphans. The locals give the woman a wide berth for mysterious reasons. Fans of supernatural cinema should find plenty to be impressed with here, with top-notch performances from the main cast members, and although Indera contains some tried-and-true horror tropes, it puts an intriguing local flavor on matters, and Woo directs with a fine sense of building mystery and delivering chills. Help, I’m Alien

Continue reading →
Joseph Perry
Jul 11, 2024

Spoiler-Free Reviews: “Listen Carefully” and “Princeton’s in the Mix” (Dances with Films 2024)

Listen Carefully (U.S., 2024) Writer/director/star Ryan Barton-Grimley’s feature Listen Carefully follows a harrowing night in the life of Assistant Bank Manager Andy (Barton-Grimley), and it’s an entertaining, sometimes head-scratching, ride. As Andy’s wife Allie (Simone Barton-Grimley) skeptically leaves her husband in charge of their baby for a girl’s night out with his promise that he will prioritize the wellbeing of their child ahead of his work from home, Andy’s job anxiety becomes the least of his worries after the baby is kidnapped. A mysterious voice (Ari Schneider, who costarred with with Ryan Barton-Grimley in the latter’s writing/directing feature Hawk and Rev: Vampire Slayers) on the other end of a baby monitor sends Andy on a wild quest to gather enough money — in an illicit, dangerous manner — for ransom. Listen Carefully sends both Andy and viewers down a path in which reality and dreams intermingle to the point of being unsure which is which. Ryan Barton-Grimley keeps Andy’s anxiety

Continue reading →
Joseph Perry
Jun 25, 2024

Spoiler-Free Reviews: “They’re Here” and “The Hongfu Hotel” (Tribeca Festival 2024)

They’re Here (U.S., 2024) Codirectors Daniel Claridge and Pacho Velez offer an unusual, thoroughly captivating take on the UFO experiencer phenomenon in their documentary They’re Here. The filmmakers focus on a small group of New Yorkers who claim to have had close encounters with extraterrestrial crafts and sometimes their occupants. Interview subjects include Cookie, a woman who claims to have been abducted by aliens multiple times; Twon, a stand-up comedian who bombs telling jokes about extraterrestrials; Dave, who made the local news by allegedly filming a UFO on his cell phone while under the influence of mushrooms; and Steve, a man who feels that he had a UFO experience but has difficulty remembering any details about the encounter, and who agrees to hypnosis to try to recall what happened. Claridge and Velez approach their subjects with both skepticism and affection, allowing them to fully express themselves knowing that many people don’t believe their stories. They’re Here takes an unusual route

Continue reading →
Joseph Perry
Jun 18, 2024

Spoiler-Free Reviews: “Beacon” and “A Family Guide to Hunting” (Tribeca Festival 2024)

Beacon (U.S., 2024) Last year, Tribeca gave the world a top-notch tale of two strangers, a man and a woman, stuck in an isolated location with a suspenseful mystery about who might be dangerous to the other with You’ll Never Find Me. This year, the fest serves up another such pressure cooker with director Roxy Shih’s Beacon. Emily (Julia Goldani Telles), a young woman who comes from a family with a love for sailing, sets off to circumnavigate the globe, but fate in the way of a huge storm strands her at a remote lighthouse. Ismael (Demián Bichir), the lone lighthouse keeper, attempts to help the injured Emily, who is naturally suspicious of him. Questions surrounding Ismael’s ability to communicate with the outside world and his obsession with the mythological creature known as the siren complicate matters further. Shih, working from a screenplay by Julio Rojas, paces the drama and suspense wonderfully. The main drawing point of the film for

Continue reading →
Joseph Perry
Jun 18, 2024

Horror Fuel’s Highly Recommended Fright Fare for Tribeca 2024

New York City’s Tribeca Film Festival is renowned for showcasing incredible films from around the world, created by established filmmakers and new voices alike. Horror and related genre fare are always in strong supply at the fest, as evidenced by its presentation of two of my absolute favorite films of last year, The Seeding and You’ll Never Find Me, along with many other great features and short films. This year’s edition, which runs June 5–16, promises more incredible cinema of the fearful and the fantastic. I was privileged to get an early look at the following chillers and thrillers before the fest, and though I can’t publish reviews until after the films make their Tribeca premieres — watch for my thoughts here on Horror Fuel soon after that — I can, at this time, highly recommend them to fright-fare aficionados as must-see viewing! Read on for press release descriptions for each film — in alphabetical order, by genre — with

Continue reading →
Joseph Perry
Jun 3, 2024

Romford Film Festival Spoiler-Free Film Reviews: “Kill Your Lover,” “Ill Fares the Land,” and “Have a Good Day”

Kill Your Lover (U.K.; 2023) The fractured relationship between former rock musician Dakota (Paige Gilmour) and her manipulative, much more conservative boyfriend Axel (Shane Quigley-Murphy) is toxic in more ways than one in codirectors/cowriters Alix Austin’s and Keir Siewert’s feature Kill Your Lover, winner of Romford Film Festival’s Best British Feature Film award. Just as Dakota is ready to finally break things off with Axel, he develops a contagious condition that causes him to develop strange markings on his skin, vomit, and cause acidic burns to anyone he touches. Flashbacks show the relationship from its beginnings to yellow and red flags developing to the horrific present. Gilmour and Quigley-Murphy give super performances as two very different people who somehow found themselves in a relationship that both probably should have known better than to start. The body horror is as strong as the psychological torture on display, for which Hair & Makeup Designer/Prosthetics Designer/Special Effects Makeup Artist Rebecca Wheeler and her

Continue reading →
Joseph Perry
May 29, 2024

Spoiler-Free Short Film Reviews: “Bookworm,” “Hevel,” “Souling,” “Dark Mommy,” “Spooky Crew,” “I Could Just Die, and That Would Be Alright” (Overlook Film Festival)

Following is a capsule review roundup of six of the short-film shockers that screened at this year’s edition of New Orlean’s Overlook Film Festival. Bookworm Bookworm (Ratón de biblioteca; Spain, 2023) from director Javier Yañez envelops viewers in a phantasmagorical vibe before suddenly ramping up the visceral shocks. Irene (Aria Bedmar in a wonderful performance) is a young librarian in 1979 Spain who wants to become a writer, much to her mother’s dismay. Irene and her fellow librarian often see the ghost of a young man — though they can’t quite catch a glimpse of his face — browsing books. Determined to try to make contact with this potential soulmate, Irene sets out to find out what his visage looks like. With beautiful set design and cinematography, Bookworm both charms and chills. Hevel In writer/director David Grace’s Hevel, devout Jewish woman Edra (Mor Cohen) begins a Shabbat service. A dybbuk has other plans for her, however, in this demonic possession

Continue reading →
Joseph Perry
Apr 16, 2024

Panic Fest 2024 Spoiler-Free Short Film Reviews: “Cereal,” “The Curse of the Velvet Vampire,” “We Joined a Cult,” “Up on the Housetop,” “Strange Creatures,” “Howl at the Dead” 

Following is a roundup of six of the short-film shockers that screened at this year’s edition of New Orlean’s Overlook Film Festival. Cereal Canadian short Cereal, from director Shane R. Preston, finds young girl Chelsea (Trinity Kaylani Seiling in a fun performance) receiving a disturbing message from her alphabet-shaped cereal: “Kill.” This evil kid short has a nice retro vibe and looks great, with a fine supporting performance from Shelby Handley as Chelsea’s mother. My only quibble is that the fourth wall gets broken twice, which reduces the effect for me. The Curse of the Velvet Vampire Director Christoffer Schurict’s collaboration with band 802 finds two Chinese horror fans watching a strange film in a video rental store. Soon enough, this slice of cinema intersects with real life. Featuring plenty of female undead and the resulting bloodletting, along with some music video, this short film has cult favorite written all over it. We Joined a Cult From Chris McInroy, director

Continue reading →
Joseph Perry
Apr 12, 2024

Calgary Underground Film Festival Unveils Its Terrific 2024 Lineup

Horror buffs and genre-film fans of all stripes: The Calgary Underground Film Festival has just released its lineup for its 2024 edition! There’s fright fare galore, from slashers (In a Violent Place; The Last Video Store) to monster movies (Kryptic; Infested) to supernatural chillers (Oddity; The Vourdalak), and beyond. Following is the official press announcement. The Calgary Underground Film Festival has announced the full lineup of films playing the 21st Festival, from April 18-28, 2024 at Globe Cinema. On-scale with the expanded programming of last year’s 20th Anniversary Festival, the largest in the organization’s history, CUFF 2024 will show 41 feature films, 37 shorts, and host 8 special events over 11 days. From horror and sci-fi to indie comedies and music docs, the festival showcases diverse programming of films that defy convention. CUFF is Western Canada’s largest genre film festival, internationally recognized as a top horror film festival on the circuit, and one of the most anticipated events for local

Continue reading →
Joseph Perry
Mar 29, 2024

Spoiler-Free Short Film Reviews: “Apotemnofilia,” “Lullaby,” “The Bleacher,” “Make Me a Pizza” (SXSW)

Apotemnofilia The titular condition is the desire of amputation for a healthy limb, and writer/director Jano Pita’s Spanish horror short Apotemnofilia finds actress Clara (Lucía Azcoitía) dealing with that as her highly anticipated post-pregnancy comeback play is about to begin. The film addresses Clara’s mental breakdown through graphic displays of body horror elements made with impressive, disturbing practical effects work. Azcoitía gives a fittingly unsettling performance, with Pita delivering a shocking work infused with some dark humor. Lullaby U.K. slow-burn chiller Lullaby from writer/director Chi Thai examines the fragile mental state of a female refugee (Jane Le). She suffered a devastating loss that she finds herself reliving, with those around her providing no comfort or support. Thai uses ever-increasing dread in favor of jump scares and gore, crafting a mesmerizing short that packs a highly disturbing reveal. The Bleacher If you have ever wondered what happened to socks you lost after doing laundry, the animated short The Bleacher from cowriters/codirectors

Continue reading →
Joseph Perry
Mar 22, 2024

More from Short Films

Spoiler-Free Reviews: “Indera” and “Help, I’m Alien Pregnant” (Bucheon International Fantastic Film Festival)

Indera (Malaysia, 2024) Although Malaysian horror Indera is, according to the official film description, “set against the backdrop of the violent Memali Incident in 1985,” director Ming Jin Woo’s feature should work fine for viewers with little-to-no prior knowledge of the event. Handyman Joe (Shaheizy Sam) does his best to raise his young daughter Sofia (Samara Kenzo) after her mother (Ashira Shafinaz) — who was also his wife — died in a tragic accident. Penniless and evicted, Joe takes on the position of caretaker for an older Javanese woman (Ruminah Sidek) who is raising three young orphans. The locals give the woman a wide berth for mysterious reasons. Fans of supernatural cinema should find plenty to be impressed with here, with top-notch performances from the main cast members, and although Indera contains some tried-and-true horror tropes, it puts an intriguing local flavor on matters, and Woo directs with a fine sense of building mystery and delivering chills. Help, I’m Alien

Continue reading →
Joseph Perry
Jul 11, 2024

Spoiler-Free Reviews: “Listen Carefully” and “Princeton’s in the Mix” (Dances with Films 2024)

Listen Carefully (U.S., 2024) Writer/director/star Ryan Barton-Grimley’s feature Listen Carefully follows a harrowing night in the life of Assistant Bank Manager Andy (Barton-Grimley), and it’s an entertaining, sometimes head-scratching, ride. As Andy’s wife Allie (Simone Barton-Grimley) skeptically leaves her husband in charge of their baby for a girl’s night out with his promise that he will prioritize the wellbeing of their child ahead of his work from home, Andy’s job anxiety becomes the least of his worries after the baby is kidnapped. A mysterious voice (Ari Schneider, who costarred with with Ryan Barton-Grimley in the latter’s writing/directing feature Hawk and Rev: Vampire Slayers) on the other end of a baby monitor sends Andy on a wild quest to gather enough money — in an illicit, dangerous manner — for ransom. Listen Carefully sends both Andy and viewers down a path in which reality and dreams intermingle to the point of being unsure which is which. Ryan Barton-Grimley keeps Andy’s anxiety

Continue reading →
Joseph Perry
Jun 25, 2024

Spoiler-Free Reviews: “They’re Here” and “The Hongfu Hotel” (Tribeca Festival 2024)

They’re Here (U.S., 2024) Codirectors Daniel Claridge and Pacho Velez offer an unusual, thoroughly captivating take on the UFO experiencer phenomenon in their documentary They’re Here. The filmmakers focus on a small group of New Yorkers who claim to have had close encounters with extraterrestrial crafts and sometimes their occupants. Interview subjects include Cookie, a woman who claims to have been abducted by aliens multiple times; Twon, a stand-up comedian who bombs telling jokes about extraterrestrials; Dave, who made the local news by allegedly filming a UFO on his cell phone while under the influence of mushrooms; and Steve, a man who feels that he had a UFO experience but has difficulty remembering any details about the encounter, and who agrees to hypnosis to try to recall what happened. Claridge and Velez approach their subjects with both skepticism and affection, allowing them to fully express themselves knowing that many people don’t believe their stories. They’re Here takes an unusual route

Continue reading →
Joseph Perry
Jun 18, 2024

Spoiler-Free Reviews: “Beacon” and “A Family Guide to Hunting” (Tribeca Festival 2024)

Beacon (U.S., 2024) Last year, Tribeca gave the world a top-notch tale of two strangers, a man and a woman, stuck in an isolated location with a suspenseful mystery about who might be dangerous to the other with You’ll Never Find Me. This year, the fest serves up another such pressure cooker with director Roxy Shih’s Beacon. Emily (Julia Goldani Telles), a young woman who comes from a family with a love for sailing, sets off to circumnavigate the globe, but fate in the way of a huge storm strands her at a remote lighthouse. Ismael (Demián Bichir), the lone lighthouse keeper, attempts to help the injured Emily, who is naturally suspicious of him. Questions surrounding Ismael’s ability to communicate with the outside world and his obsession with the mythological creature known as the siren complicate matters further. Shih, working from a screenplay by Julio Rojas, paces the drama and suspense wonderfully. The main drawing point of the film for

Continue reading →
Joseph Perry
Jun 18, 2024

Horror Fuel’s Highly Recommended Fright Fare for Tribeca 2024

New York City’s Tribeca Film Festival is renowned for showcasing incredible films from around the world, created by established filmmakers and new voices alike. Horror and related genre fare are always in strong supply at the fest, as evidenced by its presentation of two of my absolute favorite films of last year, The Seeding and You’ll Never Find Me, along with many other great features and short films. This year’s edition, which runs June 5–16, promises more incredible cinema of the fearful and the fantastic. I was privileged to get an early look at the following chillers and thrillers before the fest, and though I can’t publish reviews until after the films make their Tribeca premieres — watch for my thoughts here on Horror Fuel soon after that — I can, at this time, highly recommend them to fright-fare aficionados as must-see viewing! Read on for press release descriptions for each film — in alphabetical order, by genre — with

Continue reading →
Joseph Perry
Jun 3, 2024

Romford Film Festival Spoiler-Free Film Reviews: “Kill Your Lover,” “Ill Fares the Land,” and “Have a Good Day”

Kill Your Lover (U.K.; 2023) The fractured relationship between former rock musician Dakota (Paige Gilmour) and her manipulative, much more conservative boyfriend Axel (Shane Quigley-Murphy) is toxic in more ways than one in codirectors/cowriters Alix Austin’s and Keir Siewert’s feature Kill Your Lover, winner of Romford Film Festival’s Best British Feature Film award. Just as Dakota is ready to finally break things off with Axel, he develops a contagious condition that causes him to develop strange markings on his skin, vomit, and cause acidic burns to anyone he touches. Flashbacks show the relationship from its beginnings to yellow and red flags developing to the horrific present. Gilmour and Quigley-Murphy give super performances as two very different people who somehow found themselves in a relationship that both probably should have known better than to start. The body horror is as strong as the psychological torture on display, for which Hair & Makeup Designer/Prosthetics Designer/Special Effects Makeup Artist Rebecca Wheeler and her

Continue reading →
Joseph Perry
May 29, 2024

Spoiler-Free Short Film Reviews: “Bookworm,” “Hevel,” “Souling,” “Dark Mommy,” “Spooky Crew,” “I Could Just Die, and That Would Be Alright” (Overlook Film Festival)

Following is a capsule review roundup of six of the short-film shockers that screened at this year’s edition of New Orlean’s Overlook Film Festival. Bookworm Bookworm (Ratón de biblioteca; Spain, 2023) from director Javier Yañez envelops viewers in a phantasmagorical vibe before suddenly ramping up the visceral shocks. Irene (Aria Bedmar in a wonderful performance) is a young librarian in 1979 Spain who wants to become a writer, much to her mother’s dismay. Irene and her fellow librarian often see the ghost of a young man — though they can’t quite catch a glimpse of his face — browsing books. Determined to try to make contact with this potential soulmate, Irene sets out to find out what his visage looks like. With beautiful set design and cinematography, Bookworm both charms and chills. Hevel In writer/director David Grace’s Hevel, devout Jewish woman Edra (Mor Cohen) begins a Shabbat service. A dybbuk has other plans for her, however, in this demonic possession

Continue reading →
Joseph Perry
Apr 16, 2024

Panic Fest 2024 Spoiler-Free Short Film Reviews: “Cereal,” “The Curse of the Velvet Vampire,” “We Joined a Cult,” “Up on the Housetop,” “Strange Creatures,” “Howl at the Dead” 

Following is a roundup of six of the short-film shockers that screened at this year’s edition of New Orlean’s Overlook Film Festival. Cereal Canadian short Cereal, from director Shane R. Preston, finds young girl Chelsea (Trinity Kaylani Seiling in a fun performance) receiving a disturbing message from her alphabet-shaped cereal: “Kill.” This evil kid short has a nice retro vibe and looks great, with a fine supporting performance from Shelby Handley as Chelsea’s mother. My only quibble is that the fourth wall gets broken twice, which reduces the effect for me. The Curse of the Velvet Vampire Director Christoffer Schurict’s collaboration with band 802 finds two Chinese horror fans watching a strange film in a video rental store. Soon enough, this slice of cinema intersects with real life. Featuring plenty of female undead and the resulting bloodletting, along with some music video, this short film has cult favorite written all over it. We Joined a Cult From Chris McInroy, director

Continue reading →
Joseph Perry
Apr 12, 2024

Calgary Underground Film Festival Unveils Its Terrific 2024 Lineup

Horror buffs and genre-film fans of all stripes: The Calgary Underground Film Festival has just released its lineup for its 2024 edition! There’s fright fare galore, from slashers (In a Violent Place; The Last Video Store) to monster movies (Kryptic; Infested) to supernatural chillers (Oddity; The Vourdalak), and beyond. Following is the official press announcement. The Calgary Underground Film Festival has announced the full lineup of films playing the 21st Festival, from April 18-28, 2024 at Globe Cinema. On-scale with the expanded programming of last year’s 20th Anniversary Festival, the largest in the organization’s history, CUFF 2024 will show 41 feature films, 37 shorts, and host 8 special events over 11 days. From horror and sci-fi to indie comedies and music docs, the festival showcases diverse programming of films that defy convention. CUFF is Western Canada’s largest genre film festival, internationally recognized as a top horror film festival on the circuit, and one of the most anticipated events for local

Continue reading →
Joseph Perry
Mar 29, 2024

Spoiler-Free Short Film Reviews: “Apotemnofilia,” “Lullaby,” “The Bleacher,” “Make Me a Pizza” (SXSW)

Apotemnofilia The titular condition is the desire of amputation for a healthy limb, and writer/director Jano Pita’s Spanish horror short Apotemnofilia finds actress Clara (Lucía Azcoitía) dealing with that as her highly anticipated post-pregnancy comeback play is about to begin. The film addresses Clara’s mental breakdown through graphic displays of body horror elements made with impressive, disturbing practical effects work. Azcoitía gives a fittingly unsettling performance, with Pita delivering a shocking work infused with some dark humor. Lullaby U.K. slow-burn chiller Lullaby from writer/director Chi Thai examines the fragile mental state of a female refugee (Jane Le). She suffered a devastating loss that she finds herself reliving, with those around her providing no comfort or support. Thai uses ever-increasing dread in favor of jump scares and gore, crafting a mesmerizing short that packs a highly disturbing reveal. The Bleacher If you have ever wondered what happened to socks you lost after doing laundry, the animated short The Bleacher from cowriters/codirectors

Continue reading →
Joseph Perry
Mar 22, 2024
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